There have been some 150 tuning systems put forth over the
centuries, none of them pure. There is no perfection,
only varying tastes in corruption. If you want your
fifths nicely in tune, the thirds can’t be; if you want
pure thirds, you have to put up with impure fifths. And
no scale on a keyboard, not even good old C major, can be
perfectly in tune.
I just have to write this right now: there’s a guy in the library who comes in here and just sits there and burps to himself. I mean COME ON. This is bunk. He needs some medication, or to NOT EAT before he comes in the library. Luckily, I’ve got Jónsi rocking on the iTunes, so the burps just barely penetrate the heavenly, joyful melodies I’m enjoying. Here, try the song Hengilás.
Katy sent along this really seriously greatrendition Gershwin’s “Summertime” by Billy Stewart. As tends to be the case with these things… the video doesn’t add a whole heck of a lot to the music. So queue up the music on this beautiful 60° Wednesday (while you are trying to do some work and avoid thinking about the outdoors) and enjoy the sweet stylings of Billy Stewart.
I’m frequently looking for songs to play that can be described as achingly beautiful. Thankfully, I’ve the perfect example of that today. It’s a song by José González from his 2007 album In Our Nature called Fold.
RAZ: You were a counselor and you dealt with all kinds of
grief, people who were dealing with it. I mean, you are
writing about a divorce, and you’re essentially revisiting
it over and over and over again, as you tour through the
country.
Do you think as a counselor, you would give somebody this
kind of advice, in a sense, to sort of revisit what
they’ve been through?
Keith Jarrett and neuroscience. Sympathetically innervated sweat glands are the exception when it comes to neurotransmitters — their transmitter is acetylcholine, but you would expect norepinephrine! Whoah!
Gomez has a song called “Bone Tired”. Ben Ottewell’s singing makes the lyrics sound much more poetic than they look in print. Anyhow, it’s an interesting song from my perspective of early semester exhaustion.
“It’s very, very difficult to want to give 14 hours a day
[to making a record], to continue to choose music over a
lifestyle,” he admits. “This is the part in a lot of
people’s careers where they usually come in to the studio
for four hours a day. I’m not a four-hour-a-day guy, but
I can definitely feel the pull: do you wanna go into a
room where you’re basically gonna excavate, emotionally,
for 12 hours? Or do you wanna go to a restaurant where
everybody gives you golf claps for what you’ve already
done?
Best use of plinky piano counter-melody: “The Brilliant Dance” by Dashboard Confessional. That album was released 8 years ago. 8. Years. Bad things have happened since then, but I can remember nothing but good things. I think that means that nothing truly bad happened. That’s interesting.
If you’re in Germany, in Hamburg specifically, then you should check out an amazing concert hall rising above the port; it will house the Elbphilhamonie Hamburg in 2012. Called the Elbe Philharmonic Hall, the building appears to float atop an old structure from 1963 called Warehouse A.
One of the best trance build-ups this year is brought to you by Oceanlab and remixed by Daniel Kandi. (This video is from a radio show, and I’ve got that “record of the week” whispering voiceover stuck in my head.) You can start making fun of me… now.