tumbledry

Music

When I was in the college dorms from 2003 to 2007, students could freely exchange music between their libraries: I’ve ended up with over 20,000 songs this way, over 2 straight months of music. Running low on hard drive space, I recently took a closer look at my music library. I’ve listened to 7,033 of those songs. The most number of plays on a single track is 3572—that is the pink noise loop from SimplyNoise I used to block ambient noise when I was in school and studying in noisy public spaces. Anyhow, in college I grabbed entire discographies from artists just because I thought I should like them. The Who. Bob Dylan. 146 Bob Marley tracks.

Critics rave about these artists, all of the musicians they’ve influenced and the paths they’ve pioneered. I just… didn’t like a lot of the music. There were a few nice songs, but I had these enormous, comprehensive collections from artists I didn’t even really like. I just had them because of this powerful should. If only I had time to understand, to listen, I’d learn to like them, right? I was the problem, the music is spectacular. I’m annoying and boring, the music is enthralling and exciting. The music is great, I’m awful. Yes?

Well, it turns out I just don’t like some songs.

I’m such a peacemaker, a compromise and consensus-seeker, that I sometimes don’t even have enough confidence in my position to stubbornly disagree. I’ve always feared that somehow my position, if frankly stated in opposition to another’s, would destroy any potential for an amiable relationship. It’s not true. I may not like it, but it’s the human condition: we disagree and it is OK.

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