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Radiohead

The title track of Radiohead’s 2000 album Kid A is incredible. There’s an ambient feel to it (echoing synth-marimbas), unique rhythm, electronic scratches and pops. Yet it’s more than the sum of those parts. Until recently, I’d never listened to it and I don’t know why. I mean, I loved “In Rainbows”, so I don’t know why I didn’t give Radiohead’s previous albums a better listen.

Continued

Street Spirit

This quote from Radiohead’s frontman Thom Yorke about Street Spirit (Fade Out) confuses me. I’ve never listened to it before, now I can’t decide if I want to hear it, or to never listen:

I can’t believe we have fans that can deal emotionally with that song. That’s why I’m convinced that they don’t know what it’s about. It’s why we play it towards the end of our sets. It drains me, and it shakes me, and hurts like hell every time I play it, looking out at thousands of people cheering and smiling, oblivious to the tragedy of its meaning, like when you’re going to have your dog put down and it’s wagging its tail on the way there. That’s what they all look like, and it breaks my heart. I wish that song hadn’t picked us as its catalysts, and so I don’t claim it. It asks too much. I didn’t write that song.

All I Need

You are all I need
You are all I need
I am in the middle of your picture
Lying in the reeds

It’s all wrong
It’s all right
It’s all right
It’s all wrong
It’s all right
It’s all right
It’s all right

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Christopher O’Riley covers Nick Drake

Christopher O’Riley covers Nick Drake - I haven’t heard of Nick Drake, but after attending O’Riley’s Radiohead concert @ Orchestra Hall, I’m tempted to give this album a listen.