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electronica

You are viewing stuff tagged with electronica.

Porcelain

In 1999, I was exploring this new, amazing thing: the world wide web. I wasn’t an active participant in any social areas like Slashdot nor was I a gamer. Instead, I mostly kept to myself, fascinated as I was with how this world wide web thing worked. You see, growing up, if my toys had any screws on them, I would inevitably find the appropriate tiny screwdriver and open them up. I was consistently disappointed that there was little for me to do other than replace the plastic cover I had removed.

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Iceberg

If all the roads were paved with ice that wouldn’t thaw or crack / I could skate from Maine to Nebraska then on to Alaska… and back.

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From Here We Go Sublime

From Here We Go Sublime - On Metacritic, rated the top album of 2007 so far … by a fairly large margin, too.

Plus, “From Here We Go Sublime” by The Field falls under the category “Electronic,” and the guy behind it is known for trance music, no less. I find it interesting that an electronic album with that particular pedigree could top acts like Arcade Fire and Arctic Monkeys.

Musical Stream of Conscious

Dear Iron and Wine,

Vis a vis your cover of The Postal Service’s “Such Great Heights,” I’d like to say that, I get it. When you strip away the (albeit magnificent) electronic(a) going on in the background of the original, your acoustic version cuts closer to the heart … it has fewer things to get in the way as it slices into one’s inner sanctum. And yes, I know you guys licensed the song to Mars, Inc. for an M&M commercial, and you know what? That’s ok. Fine by me. The song is still great, even with the goofy kaleidescopic imagery that goes along with it in the commercial (which, in and of itself is not bad; the constrast between music and video is striking). In fact, that delectable clip on the commercial is what reminded me again of your cover, which I had only given 10 seconds of playing time in the past. The track of which I speak is spinning right now: I think I understand what you were thinking when you sang this, and what Ben Gibbard of the Postal Service was thinking when he, surely in a moment of inspired poetry, penned the words.

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